"That richness in sonority was given a vivid account in the blending of the performances..."
- "The French Music Festival at Noontime Concerts™ begins in the eighteenth century"
San Francisco Classical Music Examiner (January 2015)
"...the performance in San Francisco was delightfully unforgettable (as were the more “historical” offerings on the program)."
- "The memorable concerts of 2014" San Francisco Classical Music Examiner (December 2014)
"The result is an instance of decidedly contemporary style endowed with a rhetoric that recalls some of the earliest music for bowed strings. Taken as a group, [these pieces] provided an excellent showcase for both MUSA’s technical skills and their uniquely innovative approach..."
- "MUSA presents a ‘programmatic program’ with some clever twists" San Francisco Classical Music Examiner (June 2014)
"MUSA...performed a striking instrumental program titled "Martial Follies" that combined old and new music. The eight instrumentalists explored military exploits and follies in music by Telemann, Schmelzer, and Lully and included a La Folia by contemporary composer Danny Clay that sounded as if it had been written centuries earlier."
- “EMA's Young Performers Festival Excites BFX Audience” Early Music America (Fall 2014)
- "The French Music Festival at Noontime Concerts™ begins in the eighteenth century"
San Francisco Classical Music Examiner (January 2015)
"...the performance in San Francisco was delightfully unforgettable (as were the more “historical” offerings on the program)."
- "The memorable concerts of 2014" San Francisco Classical Music Examiner (December 2014)
"The result is an instance of decidedly contemporary style endowed with a rhetoric that recalls some of the earliest music for bowed strings. Taken as a group, [these pieces] provided an excellent showcase for both MUSA’s technical skills and their uniquely innovative approach..."
- "MUSA presents a ‘programmatic program’ with some clever twists" San Francisco Classical Music Examiner (June 2014)
"MUSA...performed a striking instrumental program titled "Martial Follies" that combined old and new music. The eight instrumentalists explored military exploits and follies in music by Telemann, Schmelzer, and Lully and included a La Folia by contemporary composer Danny Clay that sounded as if it had been written centuries earlier."
- “EMA's Young Performers Festival Excites BFX Audience” Early Music America (Fall 2014)
